Showing posts with label mystery. Show all posts
Showing posts with label mystery. Show all posts

Friday, April 29, 2011

Writing Process Interview #5: Mystery Author Wade J. McMahan

It's time for the next installment in my 2011 interview series, "Inspiration to Publication".  We are currently working our way through the "writing process" phase of the series, and for this interview, we will be spending some time with mystery author, and fellow Untreed Reads colleague, Wade J. McMahan.  His Richard Dick mystery series has been a bestseller in both the US and the UK, and his Richard Dick mystery bundle has performed incredibly well at the Sony eBookstore.

Welcome to the table:  Wade J. McMahan!



The Accidental Author:  After a short hiatus, during which my wife and I welcomed our second daughter into the world, it's time to get back to finding out what makes certain authors tick.  Today, I'm asking some questions of Wade J. McMahan, author of numerous eBooks from Untreed Reads, including the Richard Dick mystery series.  Even though I will spend most of the interview asking you about the “nuts and bolts” of your writing process, tell us a little bit about Richard Dick.  Where did he come from?  Is he loosely based on someone (or multiple people) you know?

Wade J. McMahan:  Thanks for inviting me for an interview, Jesse, and congratulations on the arrival of your newest family member.

The concept behind Richard Dick actually sprang from a short-short “news release” I wrote for an e-mag.  In the story, the news reporter divulges that the Yellow Fever virus has been placed on the Endangered Species List.  That little piece got my “What if” juices flowing.  What if…instead a news reporter, the protagonist is a private detective?  And, what if…this detective uncovers similar madcap situations?

Richard Dick (please just call him Dick) is someone we all know, your “every man,” who just happens to be a private detective.  He’s the average Joe who lives next door, the guy who trudges along and attempts to cope with whatever obstacles life throws in front of him.

Dick is loosely based on famous prototypical private dicks from literature, radio and TV.  Think of Sam Spade, Phillip Marlowe, Boston Blackie, and Magnum PI who are glamorous, tough, clever, and daring.  Essentially, I blended those characters into one, flipped their qualities upside down, and Dick spilled out onto the page.   

AA:  You've written three installments in the Richard Dick mysteries.  Tell us a little bit about how you make sure that the character of Dick remains consistent from one book to the next?

WJM:  I know Dick well, and what makes him tick.  I know what motivates him and how he will react in a variety of bizarre situations.  That’s not to say he doesn’t occasionally surprise me, but isn’t that true with everyone you know?   

AA:  Did you deliberately set out to write mysteries with an element of the supernatural in them (“Witches Witch?”, for example), or did that come naturally while you were writing?

WJM: Speculative fiction offers especially fertile ground when you are looking for wacky characters, adventures, and situations.  In my first Richard Dick Mystery, “Bite This!” Dick is introduced to numerous forms of shape-shifters.  If there are such things as werewolves, could there be other similar critters out there, like werepossums?  Why not? 

I wrote the second Richard Dick, “Witches Witch” as a Halloween story, and it was published by Untreed Reads just prior to the holiday.  You can’t have a true Halloween tale without witches, can you?   And, if Dick encounters a witch, naturally she’s going to turn him into a frog, isn’t she.  Naturally!

Jay Hartman, the Editor at Untreed Reads asked that I spin a Richard Dick Christmas/Hanukkah crossover yarn.  The emotional rollercoaster, “Naughty or Nice?” was the product of Jay’s challenge, where Dick assists Santa Claus, and uncovers an amazing secret at the North Pole.  The holiday season is about kids, so I wanted to write a memorable story that also included a serious life lesson (Honest!  Swear to God!). 

AA:  When writing a mystery, how do you plot out the story arc?  Do you know pretty much how it ends, and you work backwards, or do you have some vague idea as to how it ends, and you work from beginning to end?  Or do you do something entirely different?

WJM:  I begin each Richard Dick mystery by first planting my tongue firmly in my cheek.  I’m not a formulaic or outline writer—I just start writing.  While I obviously begin with a general idea of how the story will unfold, to be perfectly honest, early on that’s not all that important to me.  All that’s important is what’s actually transpiring within the story as I write it.

My loose writing method might drive some writers nuts.  Still, I prefer it because it leaves all the creative options open as the storyline develops—take it where you will!  Who cares where it goes so long as it’s good?  When I’m writing, nothing is set in concrete until the storyline is complete, especially the ending.  For me, that’s half the fun of writing.  Just like a reader, I can’t wait to see what happens next, and in the end. 

AA:  What is Dick up to these days?  Is there another caper on the horizon?

WJM:  Capers, capers, capers!  Dicks’ backlog of cases is growing!  His latest case, “The Lincoln Park Horror-A Richard Dick Mystery” is currently undergoing final edits at Untreed Reads Publishing.  Dick’s penchant for attracting screwball clients who drag him into outlandish predicaments holds true again, when he’s hired by—a ghost!  Really!  Please watch for Dick’s new novelette, because “The Lincoln Park Horror” will be hitting e-bookshelves around the globe very, very soon!

Dick is currently involved in a case he’s calling “Fanged,” and as you might suspect by the title, his client is a vampire (one had to show up sooner or later, you know).   The vampire, Count Earl Duke, is a tragic figure <sniff> who is…no, no, <sniff> I can’t go on!  It’s simply too dreadful to talk about, so you’ll just have to discover it all for yourself when “Fanged” is released this summer.     

AA:  Do you tend to flesh out the characters first, or the overall story arc?  In other words, do your characters tend to mold the plot to their will, or does the strength of the plot have power over your characters?

WJM:  Gosh.  I didn’t realize writing is so complicated!  To answer your question though, some of both…I guess…maybe.  Typically, I stage a scene, and slide the characters into it. 

Richard Dick works for me full time, and he rarely strays far from his role.  I also have a fair feel for Dick’s newest client, and allow that character to grow along with the storyline.   When I introduce a peripheral character, they are intended to be scene-driven, although I’ve occasionally had them turn rogue, “steal” the scene and turn it an altogether different direction from where I was originally headed. 

AA:  Besides a computer (or a notepad and pen if you are really old-fashioned), what absolutely MUST be near you when you are writing?

WJM:  I’m probably really old-fashioned in many ways, but I do use a computer.  Past that, my needs are simple, and I can write just about anywhere, though I much prefer my home office.  

AA:  Do you set down a concrete schedule for writing, or do you write when the mood strikes?

WJM:  I write as the opportunity strikes.  I manage my own company, so business and personal matters come first, of course.  As often as possible, I wedge writing into open gaps in my erratic schedule.  

AA:  How do you go about revising your work?  Do you tend to revise “on the fly”, or do you generally complete the first draft before going back and doing some revision?

WJM: I’m all over the place with revisions, and the “Highlight>Delete” functions are my best friends on my keyboard.

Nothing I write is held sacred simply because it hits the page.  Everything is subject to revision or total elimination.  Often, an idea, word, or phrase will pop into my mind during the day that will improve what I’ve already written.  I’ll hurry home in the evening and make changes. 

My system, if I have one, consists of moving the story forward by first focusing on writing the individual primary scenes.  Later I go back to flesh out the action, and backfill to piece everything together. 

Finally, I send out the first draft to my Beta readers, and anxiously stand by for their comments.  I remain true to my own writing instincts, but when one of the readers points to an actual flaw, I’m going to address it.  Those extra sets of eyes are invaluable. 

AA:  Do you tend to read the kind of fiction that you write?  Who/what are you reading right now?

WJM:  I’ll read anything.  Right now, I’m reading non-fiction on ancient Ireland for a novel I’m writing, and just finished a Ken Follett thriller.  Frankly though, I have little time for recreational reading.  Along those same lines though, I spend a lot of time on the road, and my Sirius radio is commonly tuned to the Radio Classics channel where I absorb detective and mystery dramas written by Dashiell Hammett, Raymond Chandler, and a long list of other pioneer mystery writers. 

AA:  Finally, if you had any piece of advice for the author that is trying to make the transition from “writing for fun” to “writing for fun and profit (such as it is)”, what piece of advice would you bestow upon them?

WJM: Writers make a profit?  Really?  Hmm, I need to look into that…  Ahem, now what was the question?  Oh, yes.  “Fun” is the keyword.  You must have fun writing before you can ever hope to earn an income from it.  If you aren’t having fun writing, take up golf.

Write for yourself certainly, but also write for the market.  Your heartrending literary masterpiece detailing the loss of your Aunt Pearl’s dearly departed cat might fascinate you and Aunt Pearl, but truthfully, the world doesn’t give a damn.  When writing fiction, you’ve got to shoot Black Bart in the eye, skewer a pirate, portray a great romance (preferably with a person, not a cat), or sail around the world or to Alpha Centauri. 

Writing professionally is a job, and publishing is a business.  When publishers reject your work, they are making a business decision, but please feel free to take it personally anyway.  I know I do, but after I finish with gnashing my teeth, I concentrate on becoming a better writer, and go back to work.



Wade J. McMahan has published four stories with Untreed Reads Publishing.  In addition to his successful Richard Dick Mystery series, Untreed Reads has published his fantasy spoof, "Flying Solo".  Furthermore, his stories have been published at such places as The Ampersand Review, Crow's Nest Magazine, and Pine Tree Mysteries.  More Richard Dick mysteries are already in the pipeline, or under construction.  Wade is currently writing a fantasy novel based upon an ancient Irish legend.  Owner of a forestry consuting firm, Wade and his wife Glenda live in Tennessee where they enjoy an active life filled with family, friends, sports, travel and three spoiled dogs.


Follow him on FaceBook or email him a wjmbooks@hotmail.com.

Sunday, March 6, 2011

Inspiration Interview #4: Untreed Reads Author June Whyte

Time for another interview in the 2011 interview series, "Inspiration to Publication" on The Accidental Author.  Untreed Reads author June Whyte joins us in the interview e-chair today and gives us some insight on the inspiration to her mystery novel, Chasing Can Be Murder which can be purchased directly from the Untreed Reads store, as well as all major online retailers.



The Accidental Author: June, since the first part of the year on my blog is devoted to “Inspiration”, I'd like to ask you who or what inspired you to create your main character, Kat McKinley, in your mystery novel Chasing Can Be Murder?

June Whyte: Kat McKinley is like a bag of licorice allsorts. A little bit of me and bits and pieces of friends I know, who, for obvious reasons, shall remain anonymous. 

When I began writing this book it was more a matter of ‘write what you know’. After having my third child I gave up my job as a school teacher and became a greyhound trainer, first as a hobby, and then professionally. Two reasons – I could work from home and I figured training animals had to be easier than training kids.

Being horse-mad, I’d always wanted to write a book about a female race-horse trainer and call it ‘Trainer in Pantyhose’. I decided I knew more about training greyhounds, so I guess that’s how Kat was born and Chasing Can Be Murder unfolded.

AA: In the blurb for the book, Kat is (presumably) sarcastically described as a “soft touch”. However, it is clear that she has a certain depth and complexity that gives her both tough and soft dimensions. How did you strike the balance between those two extremes?

JW: As you say, Kat is a ‘soft touch’, rather naïve at times and doesn’t like to hurt people’s feelings. However, by the end of this, the first in the Chasing series, she toughens up considerably. Time spent locked in a coffin with the villain contemplating pressing the button to send her off to the crematorium usually does that to a girl!

AA: Since we're on the subject of inspiration, what types of things get you in the mood for writing? Music? People-watching? Reading? What stimulates to start putting pen to paper?

JW: Routine. I don’t particularly like music or any noise while I’m writing so I try to lock myself in the bedroom with my laptop at 10 o’clock most mornings and write until 1pm. This doesn’t always work, of course, because I’m a care-giver for my 90 year old mum, I have a horse called Honey who needs to be worked, a husband who hates his own company and I work as a muscle-person, checking greyhounds after they’ve raced for other trainers.

AA: You have a new release upcoming on Untreed Reads. Can you tell us a little bit about it?

JW: Sex on Tuesdays, is a humorous murder/mystery/romance with the sleuth a wannabe sex-therapist on the lookout for her own Mr. Right.  Although Dani writes a daily sex column for the Tribute newspaper, she has no certificates or qualifications on her wall.  Instead, she gets all her facts from the internet, self-help books and her friend, Megan, a retired prostitute who’s had sex with thousands of men.  However, when Dani’s column is mysteriously sabotaged and her client’s wife turns up dead, she and her long-time friend, Simon Templar, are forced to slip into gumshoes and investigate.

AA: What inspired you to write it?

JW: I love writing about the absurd and Sex On Tuesdays is a fun read.

AA: Do you enjoy reading mysteries? Who are some of your favorite authors?

JW: I read anything, Jesse – even bus tickets. But yes, I love reading mysteries. In fact I’ve downloaded a heap of cozy mysteries onto my Kindle, like Judi McCoy’s dog walking mysteries and Lois Greiman’s laugh-out-loud psychologist mysteries. However, my favorite mystery writer has always been Dick Francis. I have every one of his books on my shelves plus the last few which his son, Felix, helped him write. Let’s hope Felix can continue where his dad left off so I can fill another shelf in my lounge room. Having said all that, my two favorite authors, Jenny Crusie and Janet Evanovich aren’t mystery writers at all – but I adore their sense of humor.

AA: What are you reading right now?

JW: Funny you should ask that. I’m reading a category romance called, The Forbidden Enchantment by Nina Bruhns. Why? Because I’ve enrolled in Nina’s online workshop: Tips on Writing Category Romance. It’s been years since I’ve read a category romance so thought I’d better do my homework before the class started. So, of course, I downloaded one of the lecturer’s romance books onto my Kindle. Wow! It’s brilliant. If this is what category romances are like now – I’m off to download more. The male character in The Forbidden Enchantment is Captain Sullivan Fouquet, a pirate who’s been reincarnated after 200 years to exact revenge on the heroine’s dying baby brother. I found the character of Fouquet so alive, so real - he leapt off the page at me.

AA: If you don't mind my asking, what are you working on right now?

JW: I’m a third of the way through the next in the Kat McKinley Chasing series and tentatively called it, Chasing Can Get Deadly. There are more adorable racing greyhounds. More laughter. Another villain. And hopefully more romance.

AA: Finally, you obviously have a love for animals that shows through in the character of Kat McKinley. Do you have any pets of your own?

JW: I love animals and I’ve always had pets. Most have just wandered into my yard, set up house, liked the food on the menu and decided to stay. Over the years there have been wild rabbits, snooping guinea pigs, a white rat, a bedraggled toothless Chihuahua and dozens of stray cats who’ve wandered in off the streets. And of course I’ve had lots of greyhounds. If they’re too slow or when they’ve finished racing, these dogs make the best pets. Honestly, if you invite a greyhound into your house you’ll have love and loyalty until the moment the dog stops breathing. Okay, he’ll probably take over the most comfortable chair in your lounge room but that’s a small price to pay for gaining a soul mate.



June Whyte lives in Elizabeth, South Australia with her husband, Jim, a horse named Honey and a soppy white whippet named Ralph.

June has worn many hats over the years (so many that she says she should have opened a hat store).  She's been a kindergarten, primary- and high-school teacher, and office administrative assistant, and a professional greyhound trainer where she trained a number of winners in very prestigious races.  She has published books on greyhound training with Rigby and text books on both racing greyhounds and horses for TAFE SA colleges.  In her spare time, she has competed successfully (and sometimes disastrously) in dressage, show-jumping and one-day-events.

Now, June write fiction.  After two humorous children's mysteries, Murder Sucks and Suck Eggs which were published by Zumaya, she's become an e-author in the innovative Untreed Reads stable.  With Untreed Reads, she has published Chasing Can Be Murder, the first in the Kat McKinley greyhound series (which hit online bookstores in September 2010) and Sex On Tuesdays, another humorous mystery which comes out some time in March.  In these eBooks, she straddles two genres:  mystery and chick-lit.





Thursday, February 24, 2011

Inspiration Interview #3: Untreed Reads Author Herschel Cozine

Next up on our list of authors in our interview series of "Inspiration to Publication" is Herschel Cozine.  I had the pleasure of meeting Herschel and his wife at an Untreed Reads informal get-together in San Francisco, and I enjoyed hearing about his writing.  What surprised me even more was when I found out that he will be turning 80 this year (happy early birthday!), as it doesn't seem at all possible.

Herschel has two titles released on Untreed Reads, "Delinquency Report" and "The Birds".  He speaks about his inspirations for both of these stories, his philosophical meanderings on right and wrong, and where he's going from here!  Welcome to the digital podium, Herschel Cozine!

You can purchase his books HERE!



The Accidental Author: Herschel, you just released “The Birds”, a delightful short-story mystery that takes place in Nurseryland, populated by characters from popular nursery rhymes. Can you tell us a little bit about what inspired this story idea?

Herschel Cozine: I had already had Osgood involved with Bo Peep, Goldilocks, Mother Hubbard, Cinderella and others. The outrageousness of the sixpence rhyme was perfect material. Why would anyone bake a blackbird pie? And how would they survive? The story cried out to be told.

AA: When you crafted your protagonist, Nathaniel P. Osgood, did you base him off of someone from real life or certain characters from other mysteries that you had read, or was he an entirely original creation?

HC: He is an original. It is written in the first person because he can do things that probably couldn’t be done with a third person narrative. But he isn’t really “me”. We may share some thoughts. But he can do things I would never be able to do.

AA: Since the first quarter of 2011 is devoted mainly to inspiration, what gets your creative juices flowing? Music? Reading other people's works? What helps you get in the writing mood?

HC: Usually a phrase or a thought. I often start to write without a goal in mind. I am not always sure where a story is going. That way I am as surprised as anyone whenever something happens. This may not be good writing technique, but it works for me. I have never been able to write from an outline.

AA: Speaking of Nursery Rhymes, do you think most people are aware of how truly dark they can be? I think the first time that I heard “Sing a Song of Sixpence” as an adult, I thought to myself “Well, that's awfully violent.”

HC: Many nursery rhymes and fairy tales are dark and violent. I have been told that some nursery rhymes are commentaries on people and events of the day. A sort of poetic editorial, if you will. Was Mother Hubbard an authoritative figure who squandered the taxpayers’ money and had nothing left to give them? Was Peter Pumpkineater a tyrant who suppressed his people’s freedom? And certainly “The Emperor’s New Clothes” can be a biting commentary. As for fairy tales, I always thought the Brothers Grimm were aptly named.

AA: Your previous release on Untreed Reads, “Delinquency Report” is about a particularly traumatic discovery that (hopefully) every child at some point makes: that Santa Claus is not a real person. The way it reads, it feels very authentic and sincere. Is this work at all autobiographical?

HC: In many ways, yes. I grew up in a small town on Long Island during the depression. The town in the story is modeled on the Long Island town. And I vividly remember visiting a five and dime where I wanted to buy a top. There were no clerks around to pay so I left. With the top. I was certain I would be arrested and thrown in jail. That never happened of course. And unlike the protagonist, I never stole again. And my mother had instincts like the protagonist’s. My father was clueless. It must be in the genes.

AA: “Delinquency Report” poses a very interesting and fundamental question, as the protagonist explains that he is agnostic and also no longer believes in Santa Claus. In the absence of some all-seeing, all-knowing sort of authority figure that keeps tabs on our every move, how would we react? Is there an innate sense of right and wrong that resides in our hearts and minds. Do you often ponder questions like this?

HC: Yes. And I have not resolved it in my own mind. We are taught by adults to behave in a civilized manner and obey rules. But who taught the adults? It had to start somewhere. Is it innate? I don’t know.

AA: What kinds of books do you like to read? What are you reading right now?

HC: My interests are wide ranging. Fiction, non-fiction. I love a good mystery or a good western. I enjoy history and sports. My favorite book is “To Kill A Mockingbird”, a remarkable work. I am not a big SciFi fan, but will find one occasionally that appeals to me. Right now I am between books, but have my eye on Mark Twain’s centennial biography. And David McCullough has a new book out that is sure to be a good read.

AA: What's next on the Herschel Cozine slate of releases?

HC: I have several Osgood stories that I am hoping to publish through Untreed Reads. I had so much fun writing those, and I hope the readers will enjoy them as well.




 Herschel Cozine has published extensively in the children’s field. His stories and poems have appeared in many of the national children’s magazines. Works by Herschel have also appeared in Alfred Hitchcock and Ellery Queen’s Mystery Magazines, Wolfmont Press Toys For Tots Anthologies and Woman’s World. Additionally he has had many stories appear in Orchard Press Mysteries, Mouth full Of Bullets, Untreed Reads, Great Mystery and Suspense, Mysterical-E and others. His story, “A Private Hanging” was a finalist for the Derringer award. Retired from a career in electronics, he has resumed his writing career after an extended hiatus. Herschel lives with his wife, Sue, in Santa Rosa, California, close to his children and grandchildren.

Purchase his books from Untreed Reads HERE!

Sunday, January 23, 2011

Inspiration Interview #1: Untreed Reads Author Jack Bates


The first interview of the New Year, and the first in my series "Inspiration to Publication, is with my fellow Untreed Reads Author, Jack Bates.  Jack recently had a story titled "Ambrosia" published in the Untreed Reads Thanksgiving Mystery Anthology (entitled The Killer Wore Cranberry).  In addition to some general questions, I have also posed a series of queries about  what inspires his writing, and in particular, what inspired certain aspects of his story, "Ambrosia".

Please welcome to the stage:  Jack Bates!






The Accidental Author:  For January and February, the theme of the posts and interviews on Accidental Author is “Inspiration”.  In general, what types of things inspire you to write?

Jack Bates:  I get a lot of my crime story ideas from surfing for small town newspapers. Whenever something happens, these are the places people are always quoted as saying, “I never thought it would happen here.” Plus, small governments are just as apt to be as corrupt as larger governments. It’s all there so I cull it, and think I think, “How would Lawrence Block slant this?”

AA:  When you formulate a character, do you tend to fashion them out of people you know and tweak them, or do you start from scratch?

JB:  I start from scratch. It took me a while to understand that the characters will flesh themselves out f I give them the space.

AA:  Specifically regarding your story, “Ambrosia”, what inspired the events in the story? 

JB:  I don’t really know. I had this image of a two story farm house out in the Currier and Ives holiday snow setting. It was dusk, the lights were on, it looked warm and cozy inside, but I was on the outside looking in and wondering, ‘Why is nobody talking to the guy on the porch having a smoke?’ Then the narrator arrived and I had my story. Plus, I’ve been to enough people’s houses to know there’s always someone there someone else doesn’t want there.

AA:  You set “Ambrosia” in Michigan during Thanksgiving.  What inspired you to set the story in Michigan?

JB:  Being from the Mitten state, it’s an easy default. I’ve traveled it from coast to coast and up and down the Thumb, and back and forth across the Mackinac Bridge.

AA:  You chose to have your protagonist be female.  Do you have any difficulty writing a female versus a male?  What were the challenges you faced?

JB:  It was a little interesting, but I know some women similar in demeanor to my narrator. Usually my narrators are smart-ass, quick talking men. Edie didn’t present herself that way, nor did she try to sound like she was the chief of police. Her job has forced her to be a patient observer. I tried to paint her story that way.

AA:  When you get an inspiration for a story, do you immediately set out to write it, or do you jot it down and let it incubate before you begin crafting a story?

JB:  A little of both, actually. And then there are the times I sit down and I can’t pull myself away from the keypad. I carry a pocket paperback Moleskin journal with me at all times.

AA:  For “Ambrosia”, when you look back at what inspired your story, as the revised the story, did the initial inspiration persist, or did the story take on a life of its own?

JB:  The only thing that came up differently was the antique lamp. It became a red herring. I wish now I had done something a little differently with the lamp as that plot device, but as I answer this, I realize it would have added about an extra 2000 words and that would have been too long for the anthology.

AA:  As you write and re-write a story, how do you know when you are ready to submit your work?

JB:  When I can’t possibly imagine any other twist, turn, or direction. When it reads like the snap of a whip. When I have nothing left to give and it has nothing left to take. After all of that, I close one eye, proof it to the best of my attention span, and then send it out.

AA:  Do you have a circle of people who read your work in order to get feedback?  If so, how valuable is that to the finished product?

JB:  I have a friend who is a member of SAG. When I was writing screenplays with her husband, she read a few. Sometimes I shoot her a couple of my short stories. Her husband and I collaborate quite a bit. I’ve also joined a few writers’ groups online. The best feedback source, though, is the editor or publisher. I’m not one to hold that every word I put down is gold. If a publisher wants a poodle, he gets a poodle. Freeing myself from my ego has propelled me further than the last 30 years of trying to justify something that only worked for me.

AA:  What genres do you enjoy reading?  Do you tend to write stories that reflect your reading preferences?

JB:  Crime fiction. Adventure fiction. That Hard Case Crime fiction line is superb. I really dig true crime and other nonfictions that have a story. I read one awhile ago about Teddy Roosevelt’s son hauling the former president through the Amazon after an accident crippled MR. Roosevelt. Fascinating read.

AA:  What are you currently reading?

JB:  Big City, Bad Blood by Sean Chercover

AA:  Finally, if you don’t mind my asking, what are you working on currently?

JB:  A guy I work with who originally inspired my Harry Landers, PI, character just gave an idea for a story that wasn’t that bad; I’m trying to develop a new lead and sidekick from it. I just finished a 35k word YA novel that I pitched and got a foot in the door with it. My collaborating buddy and I have one we’re sharing with his thirteen year old daughter. She says it’s boring and wants to know where the boys are in it. We may abandon that one.





 

Jack Bates writes crime fiction. He has a private eye series featuring rookie gumshoe Harry Landers that is published through Mind Wings Audio Books. His stories have appeared online at sites such as Thug Lit, Beat to a Pulp, A Twist of Noir, and the cozier Pine Tree Mysteries.  Furthermore, he has had stories included in anthologies such as Shadows of the Emerald City, The Killer Wore Cranberry, and the accalimed Discount Noir.

Wednesday, December 8, 2010

Interview with Untreed Reads Author Linda Frank

This week, on The Accidental Author, we are interviewing Untreed Reads Author Linda Frank.  Her book, After the Auction has been released as an eBook and is available at the Untreed Reads Store, as well as Amazon and Barnes & Noble.  Linda talks about her book, research and her travels.



The Accidental Author:  Linda, I would like to thank you for taking the time to answer some questions about your work for my blog.  Now, without further delay, let’s get to the questions.  You clearly have a passion for research and acquisition of knowledge, and with After the Auction, it is obvious that you put in a great deal of time researching Judaica.  Can you tell us a little bit about how you decide where to put the dividing line between concrete historical fact and fictionalization?  

Linda Frank:  History provided the factual baseline for incidents in the book, but specific details were altered for fiction. For example, I don’t know of a Seder plate  (the looted treasure my protagonist searches for) that looks like the one in the novel, and the Italian craftsman who made it is fictional.

AA:  As far as research goes, did the journey of discovery present you with unanticipated detours,
or was it pretty straightforward?

LF:  The research gave me a foundation, but the detours came in trying to frame fiction around it without becoming so far-fetched as to make the story incredible.

AA:  Who was the inspiration for your protagonist, Lily Kovner?

LF:  Ask my friends who they know who swims for exercise, cooks for therapy, sends care packages to her far-flung kids, loves classical music and travel, is an Anglophile, and has connections to China. That said, the story itself is not autobiographical. 

AA:  You set your novel in 1990 for a number of reasons detailed on your website.  Since we are now in an age of instantaneous information download through the advent of technology, did you have any difficulty taking a step back to “simpler days” when research had to be done without the aid of the Internet?

LF:  Initially, yes. But not being able to Google was the point. However, I went back to my journalism roots in crafting Lily’s methodology--the library, interviews, etc. The hardest detail was avoiding the use of cell phones.

AA:  Which came first in the development of After the Auction, the plot or the character of your protagonist, Lily Kovner?  Which ended up driving the novel to completion more forcefully?

LF:  In truth, what came first was the character Nachman Tanski. Because the original inspiration for this book was a real man on whom Tanski is loosely based, Lily arose as a device, if you will, partly to make this a woman’s story written by a woman and to provide a sympathetic dimension to the Tanski character. She did probably play a bigger role in driving the novel to completion. As for forcefulness, making Lily in action as forceful—effective, independent, self-reliant—as her self-description became difficult task, especially after she began seeing Simon. I wanted her to drive the action, not be the helpless female!

AA:  In dealing with a very delicate topic like the Holocaust, was there ever a concern about the reception of this book in the Jewish community?

LF:  The Holocaust remains a powerful topic in the Jewish community. I don’t mean that negatively—just that, for reasons of remembrance and “never again” resolve, the Holocaust is a focal in our global community consciousness. My only concern was not trivializing the history, especially in the eyes of Holocaust survivors or their family members. Friends who are survivors’ children have read the book, and I’ve done book events at a Holocaust memorial center in New York and for a survivors’ group in San Francisco. The response has been favorable, which pleases me very much.

AA:  When you are writing, do you participate in online critiquing communities, or do you share your work with other people (friends, family, writing partners) to help you in the revision process?

LF:  I have not participated in online or even in-person writers’ groups; to me, the in-person versions would be just more meetings in a life with plenty of those. Online groups, too, I’ve seen as time-consuming. A group of friends and family read an early draft of beginning chapters. However, I benefitted greatly from working with a development editor, Alan Rinzler. While hardly as economical as other critique sources, it was professionally credible, which matters to me more than the random opinions of unknown others.

AA:  When you read for pleasure, do you find yourself gravitating more towards fiction or non-fiction?  What are you reading right now?

LF:  Much of my life beyond school, I read mainly nonfiction—mostly biography and history. As I began to approach tackling a novel—and ever since—I have read much more fiction than before. Right now Hannah Pakula’s biography of Mme. Chiang Kai-shek is a substantial presence (partially read) on my nightstand. I plan to put a few novels on my Kindle to read on a forthcoming trip. These include Allegra Goodman’s The Cookbook Collector, Jonathan Franzen’s Freedom, and Nicole Mones’s The Last Chinese Chef. The China-related books are research for the next book. I aimed at making After the Auction a cross between Alan Furst and Daniel Silva, but with a female protagonist! They’re the only mystery writers I read religiously.

AA:  After the Auction was published as a traditional book first, and then as an eBook through Untreed Reads.  Tell us how you got plugged in to Untreed Reads.

LF:  I heard about Untreed Reads before the business started, as one of the partners, K.D. Sullivan, is a friend. After the Auction came out in physical form a few months before the ebook, because I deliberately set out to stagger the launch. But the next one I’d definitely bring out simultaneously in both formats. I’ve become a believer!!

AA:  Do you feel that the digital publishing will one day supplant traditional publishing, or will there
always be a market for paper books?

LF:  I do think many people will always prefer to hold books, at least until no one’s alive who ever did so, and I would hate to see books disappear. But digital is the growth area, no doubt.

AA:  If you don’t mind my asking, what types of projects are you currently working on?

LF:  I’ve drafted an outline for another novel with some of the same characters but with a significant China connection. And I plan to publish—ONLY as ebook, I think—a book of essays related to my China family and travel experience—as a platform builder beforehand.

AA:  If you had one morsel of advice for the aspiring writer out there thinking about transitioning from “writing for fun” to “writing for fun AND profit”, what would that be?

LF:  Don’t let the rejection of agents and editors involved in the “conventional/traditional” publishing world deter you. Self-publishing and ebooks are more and more accepted.



Find out more about Linda Frank at her website HERE!

Monday, November 29, 2010

Interview with Untreed Reads Author Lesley A. Diehl

This week's author interview is with Lesley A. Diehl, a mystery author that hails from both New York and Florida (although not at the same time).  Her recently published book, A Deadly Draught, is available at Amazon, Barnes & Noble and Indiebound.  More recently, her story, "Murder with All the Trimmings" was published by Untreed Reads as a part of the Thanksgiving Mystery Anthology, The Killer Wore Cranberry.  Please welcome to The Accidental Author, Lesley A. Diehl.





The Accidental Author:  First of all, I would like to thank you for taking the time to answer some questions for the blog.  Okay, now on with the interrogation.  I see from your website that you were a professor of psychology.  How do you feel that your previous career helped you in your writing? 

Lesley Diehl:  I was a lifespan or developmental psychologist, so I always write about the journey of life taken by my protagonist.  The reader gets to see part of that journey, and it is all about change.  I’ve always said murder is merely a catalyst in my work, a horrible event that propels the heroine to do something she might have done at another time in her life, but murder forces her to undertake that now.  In my newest book Dumpster Dying, Emily Rhodes is a retired preschool teacher, tiny in stature, dependent in personality, but she finds herself when she sets out to help her friend who is accused of murder.  This event comes together with another life changer—the death of her life-partner and loss of her retirement income.

AA:  Have you taken courses for creative writing, or is it something for which you have a natural talent?

LD:  I always liked to write, and I was encouraged by teachers in high school and college, but I went into psychology where my writing underwent a dramatic change from creative to scientific.  When I returned to fiction many years later, I had to reteach myself to write creatively.  I did so by reading, joining professional writers’ groups as well as writing and critique groups.

AA:  Your short story, “Murder with All the Trimmings”, available from Untreed Reads, is a traditional mystery story with some decidedly non-traditional characters.  What was your inspiration for this tale? 

LD:  When one of my oldest friends read the story, she said, quite correctly, that it was a story about my aunt.  My favorite aunt is the woman, Aunt Nozzie, in that story.  She was such a character, that, as anyone’s aunt, she would inspire a story.

AA:  In “Murder with All the Trimmings”, the menu for the meal was decidedly outside of the mainstream.  Having had a great deal of experience with Spam myself, I have to ask:  do you personally enjoy Spam?  If so, how do you like it prepared

LD:  I’m not crazy about Spam, but, having said that, let me add that I can and will eat about anything when I think I’m hungry.  I was raised by parents who experienced the depression and taught to eat what was on my plate, so I always think I’m hungry!

AA:  This is a bit of a “chicken or the egg” question, but when you are starting out a story, do you have a tendency to focus primarily on character development or plot? 

LD:  Both.  I seem to get an idea for a character along with the plot.  As I ripen the plot, the character seems to emerge clearly as well.

AA:  About revising and rewriting, have you joined any writing communities online like Zoetrope or Critique Circle?  If so, how valuable have you found them to be?

LD:  I belong to several online groups such as SINC (Sisters in Crime Internet Group) and the Guppies subgroup.  I’ve used them to exchange full manuscripts with another writer or to join one of their groups critiquing a first chapter or chapters.

AA:  Do you let other people (family, friends, co-workers) read your writing for input?  If so, how valuable do you find that input?

LD:  I have a critique partner.  She and I have exchanged work for the past four years, either when I’m in Florida (she lives in Okeechobee) or through the internet when I go back to upstate New York.  She and I cofounded the Okeechobee Writers league.

AA:  Most people who write also have an insatiable appetite for reading.  Is this the case with you?  Do you like to read the same kind of stories that you enjoy writing?  What book(s) are you reading right now? 

LD:  Right now I’m reading Dennis Lehane’s Moonlight Mile.  I just finished Janet Evanovich’s newest.  Burn by Nevada Barr is sitting on my desk and I’m working my way through John Sanford’s books.  I read almost nothing but mysteries although I have a friend who gifts me what she considers “good” literature in an attempt to give me some culture.  I prefer mysteries because I don’t have the patience for stories that don’t move quickly.  I have a lot of reading I want to do, so an author better grab me immediately.

AA:  You seem to have a great love for beer, especially microbrews.  In fact, I see that your novel “A Deadly Draught” centers on the microbrewery community.  Would you say that beer is one of your muses? 

LD:  I have gained great respect for microbrews as I’ve come to learn about them and have gotten to know several brewers well.  I have two muses, however, as I explained on Monday’s Dames of Dialogue.  When I’m in New York, my muse is the ghost who inhabits my 1874 cottage.  I don’t believe in ghosts, but I do believe in Fred who likes to play jokes on me.  My muse in Florida during my winter stay is the alligator who lives in the canal behind my house.

AA:  Speaking of “A Deadly Draught”, this is a traditional paper book.  Now that you have published with Untreed Reads, do you foresee yourself focusing on digital publishing more? 

LD:  I think a writer today would have to be made of concrete not to consider digital publishing.  I’m hoping to send Jay Hartman a book length manuscript as a holiday gift—maybe he’ll publish it!

AA:  If you don’t mind my asking, what types of projects are you currently working on?

LD:  I’m over halfway through my second mystery with Hera Knightsbridge, my microbrewer.  I’m polishing the manuscript for Jay Hartman about a writer whose house is invaded by guardian angels.  I’ve finished a manuscript set in Florida featuring a Yankee who owns a consignment shop catering to the wealthy who were taken by Madoff.  Of course, she discovers one of the matrons dead in her dressing room.  On a more serious note, I’m trying to get back to a manuscript I began several years ago.  It is set in upstate New York.  The protagonist is the mayor of a small village and the owner of an auction house.  Her husband has died and a man from her past reenters her life as a biologist hired to help the community understand coyotes whom they’re convinced are killing their sheep and calves as well as pets.

AA:  If you had one morsel of advice for the aspiring writer out there thinking about transitioning from “writing for fun” to “writing for fun AND profit”, what would that be? 

LD:  Write, write, write.  Get yourself into a good writing group.  Join professional writers’ groups such as Mystery Writers of America and Sisters in Crime.  Go to writers conferences and attend their panels.


Lesley A. Diehl retired from her life as a professor of psychology and reclaimed her country roots by moving to a small cottage in Morris, New York.  In the winter she migrates to old Florida—cowboys, scrub palmetto, and open fields of grazing cattle, a place where spurs still jingle in the post office.  Back north, she devotes her afternoons to writing and, when the sun sets, relaxing on the bank of her trout stream, sipping tea or a local microbrew.

Check out her website HERE and her Blog HERE